Imaging Religion in Film

This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There .

Publication Year: 2011
Imprint: Palgrave Macmillan US
Format: P
Weight (Gram): 278