Critical Race Theory and Copyright in American Dance

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

Publication Year: 2013
Imprint: Palgrave Macmillan US
Format: P
Weight (Gram): 3261